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Prompt 6 – an aubade

06 Monday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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NaPoWriMo

Today’s prompt springs from the form known as the aubade. These are morning poems about dawn and daybreak. Many aubades take the form of lovers’ morning farewells, but . . . today is Monday. So why not try a particularly Mondayish aubade – perhaps you could write it while listening to the Bangles’ iconic Manic Monday? Or maybe you could take in Phillip Larkin’s grim Aubade for inspiration (though it may just make you want to go back to bed). Your Monday aubade could incorporate lovey-dovey aspects, or it could opt to forego them until you’ve had your coffee.

This poem started life as a long, thin, one.  Then I decided a potentially crowded day would be better expressed in longer lines with no punctuation.  Working Mondays are a memory for me now, but it’s still easy to feel overwhelmed by the rest of the stuff.  Choices have to be made …

Aubade – Dawn Chorus

You could get up spring clean dust wipe polish

check voicemail email texts bank balance

tweet post facebook status instagram selfie

watch news hear headlines read straplines

call friends make breakfast feed family

commute negotiate contribute to the team

or …

you could turn over and listen to the dawn chorus.

Prompt 5 – reworking an Emily Dickinson poem

06 Monday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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Emily Dickinson, NaPoWriMo

Today’s prompt is a variation on a teaching exercise that the poet Anne Boyer uses with students studying the work of Emily Dickinson. As you may know, although Dickinson is now considered one of the most original and finest poets the United States has produced, she was not recognized in her own time. One reason her poems took a while to gain a favorable reception is their slippery, dash-filled lines. Those dashes baffled her readers so much that the 1924 edition of her complete poems replaced some with commas, and did away with others completely. Today’s exercise asks you to do something similar, but in the interests of creativity, rather than ill-conceived “correction.” Find an Emily Dickinson poem – preferably one you’ve never previously read – and take out all the dashes and line breaks. Make it just one big block of prose. Now, rebreak the lines. Add words where you want. Take out some words. Make your own poem out of it!

The poem I selected for today’s prompt is ‘Hope is the thing with feathers’
My rejigging, which had several phases, resulted in a long, thin, spare version of the original.

Hope
with feathers
perches in my soul
sings the tune
without words
never stops at all.
Hope
in the gale heard:
sore the storm
that could abash
the bird that kept
me warm.
Hope
in chillest lands
on strangest sea
that never
in extremity
asked a crumb
of me.
Hope

Here’s the original, dashes and all –

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –

And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –

I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.

Prompt 4 – a ‘loveless’ love poem

04 Saturday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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NaPoWriMo

So, here’s today’s prompt from http://www.napowrimo.net/

Love poems are a staple of the poetry scene. It’s pretty hard to be a poet and not write a few – or a dozen – or maybe six books’ worth. But because so many love poems have been written, there are lots of clichés. Fill your poems with robins and hearts and flowers, and you’ll sound more like a greeting card than a bard. So today, I challenge you to write a “loveless” love poem. Don’t use the word love! And avoid the flowers and rainbows. And if you’re not in the mood for love? Well, the flip-side of the love poem – the break-up poem – is another staple of the poet’s repertoire. If that’s more your speed at present, try writing one of those, but again, avoid thunder, rain, and lines beginning with a plaintive “why”? Try to write a poem that expresses the feeling of love or lovelorn-ness without the traditional trappings you associate with the subject matter.

Here’s a quick poem of the day. I’ve used the word ‘love’, but not in the romantic sense, so I guess that’s all right …

Game

you made the first move
fifteen love
I made it fifteen all

one more step each:
we stand together
at thirty all

then locked at deuce
we wait for the advantage
and the game

Prompt 3 – a ‘fourteener’

03 Friday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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NaPoWriMo

Today’s challenge is to write a fourteener. Fourteeners can be have any number of lines, but each line should have fourteen syllables. Traditionally, each line consisted of seven iambic feet (i.e., an unstressed syllable followed by a stressed syllable, times seven), but non-iambic fourteeners also exist. The fourteener was popular in 16th and 17th century England, where it was particular common in ballads, but it also is the form in which “Casey at the Bat” is written. The form is versatile enough to encompass any subject matter, but as the example of “Casey at the Bat” shows us, it is particularly useful in narrative poetry, due to the long line and the step-like sense of progression created by the iambs.

I thought of doing a narrative poem based on last night’s political debate, but opted instead for a quick Easter fourteener.  The trouble with this sort of thing is that it begins to sound like a greetings-card rhyme …

Easter

Season of yellow greetings cards, a time to cook and bake,

the roasted lamb, the hot cross buns, symbolic simnel cake

a time of sunlit daffodils, of tulips pink and bright,

a time to gorge on chocolate eggs from morning until night.

 

And queues build up on motorways, and train lines have delays,

and we all try to cram too much into these precious days.

A visit to a garden centre makes a great day out

but not many people really know what Easter is about.

Prompt 2 – stargazing

02 Thursday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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NaPoWriMo, stars

Today the challenge is to take your gaze upward, and write a poem about the stars. You may find inspiration in this website that lists constellations, while also providing information on the myths associated with each one, as well as other salient information. Your poem could be informed by those myths or historical details, by the shapes or names of the constellations, or by childhood memories of seeing them. Any form or style will do.

For this challenge I decided to play around with the Latin constellations named after animals, exploring the rhythm of the words.

Latin in the sky with diamonds

camelopardus, centaurus,
lacerta, lupus, pavo,
serpens, apus, delphinus
hydra, taurus, draco.

piscis austrinus, aquila,
canis, lupus, agnus,
ursa minor, tucana,
columba, equus, corvus.

Luminescent animals
plotted on dark canvas,
Latin in the blue-black sky,
in the sky with diamonds.

Prompt 1 – untitled

01 Wednesday Apr 2015

Posted by Christine Cochrane in NaPoWriMo 30 Poems for April 2015

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NaPoWriMo

Today’s prompt is a poem of negation – the challenge is to write a poem that involves describing something in terms of what it is not, or not like. For example, if you chose a whale as the topic of your poem, you might have lines like “It does not settle down in trees at night, cooing/Nor will it fit in your hand.”

Following these instructions, I have finished up with something that is a cross between a riddle and a poem.  And I don’t want to give it a title, because that gives too much away!

I have no soft edges
make no harsh sounds,
do not fit in your pocket,
cannot walk alone.

I do not travel without a case
nor do I sit in the front seat
when we drive out
to make our music.

I do not play chromatic scales,
cannot keep pitch without you;
changes of temperature
snap my strings.

I think I cannot sing
without you; yet sometimes
when the wind strokes my strings
I play my solo.

One thing at a time …

31 Tuesday Mar 2015

Posted by Christine Cochrane in Blogging on

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It’s been a quiet month on the blog, mainly because I’ve been out and about doing too many things! And this has all been very stimulating, as I’ve been travelling up and down the country. We’ve visited friends, walked woods with a hint of spring near Polesden Lacey, and tested the bubbly at a Surrey vineyard.

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IC5

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We’ve spotted crocuses and butterflies at the RHS at Wisley, been to a play in London, the National Gallery, and the site of Roman Silchester in Hampshire.

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We’ve been to Chester and taken a photo of the solar eclipse from the platform of Warrington Bank Quay station. We’ve been on a train that terminated at Carlisle again (see February 2014), this time because of a broken down freight train at Lockerbie. However, the line was cleared quickly enough to allow our day trip to Glasgow to proceed, giving us a few enjoyable hours at Scotland Street Museum and the National Trust’s Tenement House and, I hope, some ideas for my writer’s notebook.  And lovely as our country is in the early spring, we have noticed on our travels that motorways and railway lines seem to have become the country’s litter bins.  How sad …

Back at home I’ve been singing, harp playing and writing and not really doing any of them well because I’ve spread myself too thinly.  So the new rule for April is ‘one thing at a time’ and, as it happens to be National Poetry Writing Month, let’s have a go at this!

http://www.napowrimo.net/

NaPoWriMo

For the month of April expect to see responses to daily poetry prompts on my blog!  I’ll try and keep up …

Weibsbilder – Portraits of Women

25 Wednesday Feb 2015

Posted by Christine Cochrane in Writing News

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Edition Narrenflug, Gabriele Haefs, Karin Braun, Mslexia, Weibsbilder

I’m very pleased to announce that my short story ‘Treibsand’ has completed its long journey from my computer to the German anthology ‘Weibsbilder’, published this week by Edition Narrenflug.  The anthology has been compiled by Karin Braun and Gabriele Haefs.

http://edition-narrenflug.com/2015/02/19/weibsilder-anthologie-hersg-gabriele-haefs-karin-braun/

weibsbilder

When I began to write ‘Shifting Sands’ as an Open University assignment, I never imagined that it would win a prize and that I would subsequently be invited to translate it into German.  As the Germans say, ‘das Leben schreibt die besten Geschichten’ – life writes the best stories.  I’ve had many special connections with Germany since my first trip there at the age of 17, and this latest chapter has been an exciting development.  What I also like about the ‘Weibsbilder’ project is the mix of writers old and new, from Germany and from other countries.

Karin Braun of Edition Narrenflug describes the story behind the ‘Weibsbilder’ anthology on this German website:

http://www.schwarzaufweiss-internet.de/die-weibsbilder-von-karin-braun

Here’s an English translation:

‘In March 2014, Gabriele Haefs, Gudrun Völk and I gave a reading in Kiel Central Library. The theme of the talk was different perspectives of women, and the images and stereotypes that people hold.

After the audience were suitably delighted by our reading, the three of us headed for the legendary Club68 to celebrate. As I was heading there, I was already thinking. My colleagues’ stories had touched me deeply and I wanted to stick with this topic. In our subsequent exchange of emails, it was clear that Gabriele was thinking the same way as I was – that it would be a great theme for an anthology!

As neither of us likes to put off a good idea, we set about sketching out a plan. It would be stories by women about women. We wanted to include some classics, as we’d done with our previous anthology ‘Narrenflieger’ (Edition Narrenflug, compiled by Gabriele Haefs). We chose Franziska zu Reventlow, Marie zu Ebner-Eschenbach and the Norwegian writer Dikken Zwilgmeyer as our voices from the past. But we also wanted to have writers who had never been published in Germany. The Internet proved helpful. Gabriele found Joanna Sterling’s website ‘The casket of fictional delight’. Joanna’s contribution was ‘Lady Elfleda’. The second new writer was Christine Cochrane, a Scot living in England, whose story ‘Shifting Sands’ had won third prize in the 2014 Short Story Competition of Mslexia, an English magazine for women who write. As luck had it, Christine Cochrane was also a German teacher and translated her story into German herself. And so ‘Treibsand’ joined the ‘Weibsbilder’ anthology.

There were new voices among the translators, too, alongside established names like Gabriele Haefs and Dagmar Mißfeldt. Maike Barth translated ‘Häutung’ from Norwegian. Hannah Kleber translated Laila Stein’s ‘Leerraum’, also from Norwegian.

An anthology is always exciting. Usually, after you’ve got a theme, authors hear about the project and contact you. Then it can be a bit stop and start, because people lose track of the theme and you have to chase things up and send reminders. This was a completely different experience. The stories came flooding in, even while we were already working on the project. Some didn’t make it into the book; this wasn’t because of the quality of the writing, but because it would have made the anthology less focused. But that doesn’t mean they’ve been rejected; they will appear in our next collection.’

‘Weibsbilder’ is available as a book or e-book from Edition Narrenflug.  It will be available on Kindle from 1st March 2015.

 

Finally, I’d like to thank Karin and Gabriele for their support and for the interesting ‘workshopping’ we did on some of the untranslatable words!

O can ye sew cushions?

19 Thursday Feb 2015

Posted by Christine Cochrane in Blogging on

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Hill of Tarvit, National Trust for Scotland, Tarvit Tapestry

The opening line of this song came to me recently, because I have indeed been sewing cushions. It occurred to me I didn’t know any more beyond the first line, so I googled it to check it out.  I had always imagined refined ladies sitting in salons sewing silk. However, I discovered that this song somehow combines a lullaby with a poor, overworked mother’s lamentations; her husband has gone to sea, leaving her with squawking children and an overdose of housework.

I am so pleased to be part of the generation which doesn’t see housework as a Main Priority.   I recently told my mother-in-law that, when I woke early, I just got up and did some work. By this I meant some writing, or work for my Open University course. ‘Oh,’ she said. ‘I couldn’t think of dusting at that time. And it would be a bit noisy with the hoover.’

Sewing my own cushions was actually a pleasure, even if one of them, The Tarvit Tapestry, was a very long-term project involving a lot of intricate work.

‘You’ll never finish that,’ my mother-in-law chirped in the National Trust for Scotland shop at Hill of Tarvit Mansion House near Cupar, back in 1995. In my hand was a pack containing a cross stitch chart designed by the Needlework and Conservation Group at Hill of Tarvit house. Part of the group’s recent work had been recovering two beautiful Regency footstools in the house. I had admired the rich colours of these and thought recreating them would be just ideal for winter evenings.

Heading

A week later I was on the top floor of an Edinburgh bus with my own mother, heading for The Embroidery Shop at 51 William Street to buy the wool. My mother loved tapestry work and had done some cushions of her own. She took great pleasure in helping me set up my canvas and I wish she were here to see my cushion completed.  I still have two of my mother’s cushions; the design is based on a painting of a rhododendron in my childhood garden.

rhodo_cr

Unlike the tapestry kits I had done as a child, the pattern wasn’t printed on the canvas. Everything had to be counted out. There were 23 different colours. It was hard at first but I battled on and completed three rows, which meant I had used all the colours once.

DSC05701_cr

Then life got too busy and the tapestry was forgotten until I retired in 2010. My eyesight was not as good, and the canvas holes seemed even smaller, but I got it out of the cupboard and had time at last. It was a fine moment last week when my mother-in-law, now in her 100th year, held the cushion in her hand. I had indeed finished it. In the meantime, The National Trust don’t seem to sell the kit any more. I wonder how many other completed (or uncompleted!) tapestries are out there.

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DSC05707

For my second cushion, done over 6 months last winter, I selected a Klimt kit on a large-holed canvas with the colours already printed on. Bliss!  This makes me think of the school trips I took to Vienna, where we saw the original Klimts in Schloß Belvedere.

DSC05708_cr

Every cushion tells a story.

 

You can see the original footstools covered in the Tarvit Tapestry at Hill of Tarvit Mansion House, Cupar, http://www.visitscotland.com/info/see-do/hill-of-tarvit-mansion-house-garden-p250581

 

Just a day trip

22 Thursday Jan 2015

Posted by Christine Cochrane in Blogging on

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‘Do you travel much?’ is one of the key questions you get asked when you’ve just retired. My answer is yes; but then we always did, even before we were ‘retired’. So nothing much has changed. The first dark week of January saw us booking some highlights for the year ahead, then we switched to something more local; we travelled on the bus to Ingleton, the next village, so that I could use my newish bus pass. It was, in a miniature way, a Grand Morning Out with a nice coffee shop as the end goal.  A day or half a day can be a holiday if you want it to be.

Sooner or later the opportunity for a day trip with the NHS also comes along. And so I found myself on Monday in the grandly named ‘admissions lounge’ of the Royal Lancaster Infirmary awaiting a very minor procedure under general anaesthetic. The preparations for this trip had been lengthy and had already involved forms and tests at my ‘pre-op’ appointment as well as exciting brochures and leaflets coming through the post. There had been pre-trip nerves, too.

Check in at Lancaster was at 9.30, but I arrived half an hour early as we weren’t sure what the winter roads were going to be like. Even though it was a day trip, I’d been told to pack an overnight bag ‘just in case’. After I’d stuffed my towelling bath robe into the nearest thing I had to a small overnight bag, I realised I had no room for anything else, so I opted for the smallest trolley case we had. There was, after all, no weight limit.

DSC05665

‘Going on your holidays, love?’, they said cheerily at reception, examining my flight tickets and showing me over to a nearby seating area.

There was no speedy boarding. The case proved useful for resting my legs during the long five hour wait for my flight slot. Yes, five hours. ‘Mr X likes to get his patients in early,’ they said. All around me were patient patients waiting for beds or consultants or anaesthetists, feet tapping gently to the sound of Smooth Radio. Most people don’t seem to read. At most it’s a phone fiddle or a chat with your neighbour about the wait and your fear. I took three hours rather than my usual one hour to read 10% of a book (Kindle stats). It was strange to see half the population so inactive while the hospital staff scurried round; you felt like offering to do a bit of filing or seeing if you could help in any way. All these man-hours spent in hospital waiting areas could surely be put to good use.

The gate opened for me eventually at 1.30 with an invitation to get changed into a theatre gown and long white socks. I then proceeded along the populated corridors pulling my trolley case behind me. The bulky dressing gown came into its own. ‘Going on your holidays, love?’ someone shouted.

My passport and credentials were checked at regular intervals. I was asked every step of the way if I had any allergies or if I had hidden metal on my person. This was screening to end all screening; I’m glad they’re thorough, but I now understand what they say about the NHS and paperwork. Finally I made it to the VIP lounge that is the anaesthetics room, where someone took my suitcase off to ‘Recovery’. So that was it. After all that preamble I had a quick take off and a 20 minute flight.

After landing I had a scenic tour through miles of corridor, where the cold draughts of Arctic Lancaster soon woke me up. Determined to depart the day-ward as soon as possible, I made it to the sandwiches and tea in record time and sent for my driver.

There were no formalities at the final passport control. Indeed, I had to push for some information as to how things had gone. The nurses cheerily explained the acronyms on the computer print-out. I was quite worried about having an OPA, but apparently this is just an outpatient appointment.

The tour operator did well, actually. It’s fashionable to batter the NHS with criticism, but everyone was really helpful.  When your turn comes, just think of it as a day trip!

 

 

 

 

 

 

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